Pennywise the Clown isn't the only monster you need to fear at night. The King has created plenty of other horrific things that go bump in the night...
The name Stephen King conjures up images of horrific creatures, monsters, places, and stories, and some of the most enduring villains in fiction. These are beings of unimaginable evil that test the limits of the protagonists' will to survive, and some of these villains have gone on to become almost as famous (or infamous) as the writer himself. While many Stephen King villains are monsters of the human variety (serial killers, power hungry despots, nihilists, etc.) his most memorable are the supernatural ones who use their dark powers to twist the orderly world around them into a special place of chaos and pain.
Here are just a few of King’s best supernatural madmen and monsters.
Pet Sematary (1983)
“Don’t go beyond, no matter how much you feel you need to, Doctor. The barrier was not made to be broken. Remember this: there is more power here than you know. It is old and always restless. Remember.”
When Louis, Rachel, Eileen, and Gage Creed moved to Ludlow, Maine from Chicago, their cat Winston Churchill in tow, they wanted a peaceful new life in the more rural locale. What they got was a descent into death and madness almost unmatched in modern horror fiction. In the novel, the Creed cat is killed. Louis fears telling his daughter and buries the beloved pet at a nearby “Pet Sematary,” an old Micmac Indian burial ground. The cat returns home, much to Louis’ shock and delight, but it’s not the same friendly animal. It’s a listless, mean, half-alive creature that does not have a fondness for life.
When Gage is killed by a truck, overcome with despair, Louis buries his son in the Sematary. What comes back is a true horror of epic proportions. Gage is such a disturbing villain because he once existed as an object of the purest affection. The once totally innocent soul is now corrupt and ridden with supernatural darkness. The Pet Sematary itself is rumored to once have been a burial place for cannibals, and the spirit of a Wendigo dwells in the soil.
Now, Gage is back with the most ancient of curses coursing where blood once flowed. Every father’s nightmare turned even darker. King felt the book was too dark even for him and shelved it until his wife, Tabitha, and his friend, the author Peter Straub, encouraged him to share his bleak vision of paternal loyalty with the world.
Under the Dome (2009)
“God turned out to be a bunch of bad little kids playing interstellar Xbox. Isn't that funny?”
Much more frightening than typical villains, the Leatherheads are an alien race responsible for the construction of the Dome that covers Chester’s Mill. They are in the same vein as H.P. Lovecraft’s cosmic horrors, beings much older and more powerful than humanity. The mere sight of them could drive a man mad. They are beings with the power of gods but no connection to or feelings for humanity. Just cold observers that exist on a different layer of reality.
The Leatherheads construct the Dome the same way a child makes an ant farm, out of a morbid curiosity to watch how lesser creatures exist. Their casual disregard for humanity makes them truly terrifying, because unlike some of King’s other antagonists, there is really no way to fight them.
The Leatherheads are mentioned in King’s chilling short story N., but it is in Under the Dome where readers get to experience the sheer paralytic terror that would occur if an alien species of ancient intelligence turned their attention towards our little backwater planet.
The Shining (1977)
“This inhuman place makes human monsters.”
If there is one thing King’s constant readers have learned after decades of nightmares is that places can be as evil as people, an idea that is personified in the Overlook Hotel, the setting of The Shining. On the surface, The Shining is a classic haunted house tale, but beneath the surface, it is so much more. It is a deep look into the fragility of fatherhood, the bond of trust between father and son. As Danny Torrance, the psychic child who journeys to a secluded Colorado hotel with his caretaker father and loving mother discovers when the father he trusted is transformed in a raging madman by the power within the Overlook.
The novel’s most riveting sections feature past accounts of other times that the Overlook weaved its dark magic, transforming good men into monsters. The walls of the Overlook can barely contain the rage within the heart of the hotel, and as The Shining plays out, readers discover just how corrupt the place is. Make no mistake, it may not have arms to swing an ax, or legs to chase down its victims, but the Overlook is a hungry sort of evil that demands to be fed. Just try staying at a Motel 6 after reading King’s classic. I dare you.
“What Darwin was too polite to say, my friends, is that we came to rule the earth not because we were the smartest, or even the meanest, but because we have always been the craziest, most murderous motherfuckers in the jungle.”
Fans of the Walking Dead need to recognize. King does zombies too, and they are sphincter-tighteningly scary. In Cell, a pulse travels into cell phones all over the world. Anyone on their phone at the fateful moment is turned into a zombie. These villains are a different breed than the popular Romero clones, as the pulse also unlocks latent powers of the human mind like telepathy and levitation.
The Raggedy Man is the leader of the zombies. He thinks, organizes, and commands. He has all the nihilistic hunger of a zombie, but he has planning skills and foresight which make him a truly frightening antagonist. His goal is to spread his people around the globe and take the planet for his horde. He sees humanity as a threat to his people and seeks to destroy them to protect his new race, which could make him literature’s first sympathetic zombie villain. He is often seen wearing a crimson Harvard hoodie giving the creature an atypical zombie air of intelligence and capability.
The name of Harvard’s sports teams by the way? The Harvard Crimson. Well played Mr. King, well played.
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‘Salems Lot (1975)
“That above all else. They did not look out their windows. No matter what noises or dreadful possibilities, no matter how awful the unknown, there was an even worse thing: to look the Gorgon in the face.”
King’s only foray into vampires (the classic ones, anyway), Barlow was the writer’s way of getting the whole mythos right the first time. ‘Salems Lot was King’s second published novel and his first of many novels centering on the idea of a preternatural creature releasing the beast inside of regular people. It was also his first small town novel, a setting King would return to many times over the decades.
Barlow’s story mirrors that of Dracula, from the shipment of his coffin and native soil from overseas to his arrival and reign of terror in a contemporary setting. He even has his own personal Renfield, Richard Straker, his own gothic mansion, his own legion of dark minions, and a twisted grip on the residents of ‘Salems Lot.
Barlow was more of a catalyst, using embraced residents as pawns to tighten his grip on the town, but his very presence on the page was accompanied with a sense of urgency and dread.
In a 1995 BBC radio drama of ‘Salems Lot (that is well worth seeking out), Barlow is played by Pinhead himself, Doug Bradley, which automatically gives the vampire tons of villain cred.
The Dark Half (1989)
“Cut him. Cut him while I stand here and watch. I want to see the blood flow. Don't make me tell you twice.”
Stephen King once wrote under the pseudonym Richard Bachman and published some of his more experimental works like The Running Man, The Long Walk, and Thinner. His experience as somewhat existing as another person inspired King to write the Dark Half, and inspired the creation of one of his most cold blooded killers, George Stark.
In the novel, Thad Beaumont was a successful author who wrote violent crime novels under the pen name of George Stark. After revealing to the world he was actually Stark, Thad and his wife stage a mock funeral for the author to symbolically cut ties with the violent crime fiction Beaumont wanted to leave behind. This is where King brings the terror.
The novel started with a flashback that dealt with the removal of an eye from the brain of a young Thad. It was the eye of a twin that was conjoined in the womb to the writer, an incident Thad had all but forgotten about. It was actually the eye of George Stark, who later rises from the mock grave the Beaumonts planted him in to go on a killing spree that leaves even the most seasoned reader with PTSD.
Stark is the embodiment of the darkness in the hearts of all men. The most frightening part of the book is that even though Beaumont is desperate to rid the world of Stark, part of him is attracted to the freedom evil gives Stark, and the realization that the evil is a part of him.
RELATED ARTICLE: Stephen King's 10 Greatest Human Villains
The Dark Tower III: The Wastelands (1991)
“Choo-Choo, thought Jake, and shuddered.”
You will never look at Thomas the Tank Engine the same way again. Blaine is a sentient train in the Dark Tower series, a machine driven insane by underuse. Blaine once housed a powerful computer mind, but the network has since broken down, making the train deranged, cruel, and suicidal.
Roland and his ka-tet need the train to travel out of the Wasteland so Roland can finish his quest for the Dark Tower. They board Blaine. They are horrified when they find Blaine has gone completely insane. The train forces them into a game of riddles. The situation gets worse, as the ka-tet realizes Blaine will kill himself by derailing at great speed with them aboard.
A crazy, sentient, thundering locomotive with a face is scary enough, but couple that with the fact that the train suffers from crippling mental health issues, and you have one of the most unique monsters in literature. There is a second voice inside Blaine, Little Blaine, who begs the ka-tet to help him, adding even another layer to the tragic nightmare that is Blaine.
So essentially, Blaine is Gollum if Gollum was a runaway train: a riddle loving, murderous, schizophrenic machine who has been ruined by pain and emptiness.
“I am the Eater of Worlds.”
The Crimson King is often mistaken for It, and it is not completely clear if they are the same monster, but the regality and level of reverence the King’s minions hold for him seem to suggest that he is different than the sewer-dwelling eater of children.
The Crimson King is the embodiment of evil in King’s shared fictional universe. He is first introduced in Insomnia, where he tries to kill a child prophesied to topple the rule of the King forever.
The King is later revealed as the monster behind the events of the novel Black House, and he is the overarching villain of the Dark Tower series, the monster responsible for trying to bring down the structure of reality.
Stephen King suggests that all his villains, supernatural or otherwise, are pawns of the Crimson King. The name itself carries some great metatextual flavor as, of course, Stephen King himself is the one truly responsible for the evil in his worlds. The half of the writer that creates and is responsible for these horrific monsters is also named King. Stephen King is the writer, father, husband, and Red Sox fan. The Crimson King is the dark overlord of the fictional universe and the monster maker.
Every twenty-seven years It rises to devour the children of Derry. It awoke when a homosexual couple was beaten by a gang of thugs in 1984 to again reign terror on the children of Derry. It was put to rest by the Losers Club, a group of misfit teens, in 1958 only to rise again, decades later. It killed the leader of the Losers’ (Bill Denbrough) little brother in one of the most hair-raising prologues in horror history.
It is another of King’s manipulator villains, as It controls the darker residents of Derry, such as bully Henry Bowers to do Its bidding. It is a cannibalistic clown that lives in the sewers, a leprous mummy, a giant spider, or a series of orange lights called the Dead Lights that drive people mad when gazed upon.
Unlike the similar creature, the Crimson King, It does not commit evil for glory or power. It devours because It hungers. The lives of innocents exist only to fill the void of It's being. And let’s face it, nothing, NOTHING is freakin’ scarier than a hungry clown in a sewer.
aka The Ageless Stranger, The Walkin' Dude, The Dark Man, The Hardcase, The Man in Black, The Tall Man, The Midnight Rambler, The Antagonist, The Grinning Man, Old Creeping Judas, He Who Walks Behind The Rows, The Covenant Man, Richard Fry, Robert Franq, Ramsey Forrest, Robert Freemont, Richard Freemantle, Russell Faraday, The Monster, The Man with No Face, Richard Fannin, Raymond Fiegler, Walter o'Dim, Marten Broadcloak, Walter Padick, Walter Hodji, and Bill Hitch
The Stand (1978)
Eyes of the Dragon (1986)
Hearts in Atlantis (1999)
The Dark Tower series
“My life for you.”
Not so much a single villain, but the archetype of all villains, Randall Flagg is King’s greatest singular creation of evil. Flagg first appeared in The Stand, the Dark Man who gathers the worst of humanity to rebuild a new civilization in his own dark image. The Walkin’ Dude had a propensity for crucifying any whose beliefs ran contrary to his.
Flagg is the greatest of King’s manipulators, able to inspire loyalty in those with dark hearts, as seen by the Trashcan Man in The Stand and even Mother Carmody in The Mist. All they have to do is say “My life for you,” and mean it, and Flagg will be there to inspire their dark deeds.
He was revealed to be the antagonists to Roland in the Dark Tower series, and is the ever present evil in all men. Flagg is walking the back roads of reality just waiting for a chance to whisper in humanity’s ear and stir up some good, old fashioned chaos.